3/27/2023 0 Comments Mjournal of modern craftexhibition reviews editor for The Journal of Modern Craft (Davis, CA) Kayleigh Perkov, Design Historian 2022-2023 Getty/ACLS Postdoctoral Fellow in the History of Art and the U.S. Mark Parsons, Artist, Entrepreneur, Designer, Educator, and Technologist Founder and Executive Director of the Consortium for Research and Robotics Director of the Science and Technology Entry Program (NYSED + Pratt) Director of Production Technologies for Pratt Institute Architecture (New York, NY)ĭr. Gabriella Nelson, Mother, City Planner, and Curator Associate Director of Policy at Maternity Care Coalition (Philadelphia, PA) Kimberly Keith, Executive Director of Hilltop Artists (Tacoma, WA)Īaron McIntosh, Artist and Associate Professor in the Fibres and Material Practices program at Concordia University (Montreal, Canada)Īl Murray, Artist and Social Justice Organizer Director of Relationships and Special Projects at the Campaign for Southern Equality (Asheville, NC Nettrice Gaskins, Artist, Academic, Cultural Critic, and Advocate of STEAM Fields Author of Techno-Vernacular Creativity and Innovation Assistant Director of the Lesley STEAM Learning Lab at Lesley University (Cambridge, MAĬannupa Hanska Luger, Multidisciplinary Artist Enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara, Lakota and European descent) (Glorieta, NM)ĭr. Pearl Dick, Artist and Artistic Director of Firebird Community Arts and co-founder of Project FIRE (Chicago, IL)ĭr. Anzalone, Executive Director of the Climate Initiative, Vice-Chair of CERF+ (Portland, ME)Īnna Burckhardt, Neville Bryan Assistant Curator in the Department of Architecture and Design at the Art Institute of Chicago (Chicago, IL)Īlison Croney Moses, Artist and Associate Director, Eliot School of Fine and Applied Arts in (Boston, MA) Special thanks to project leaders Juliana Barton, Stephanie Moore, Marilyn Zapf for their role in conceptualizing and organizing this gathering, and to the attendees, advisors, and interviewees, for developing and engaging in these important conversations. Throughout this discussion, the goal was to acknowledge the multipotentiality of craft and recognize the various aspects of discussion that had grounded the participants throughout the Craft Think Tank. “Craft can.” persist, change, create, impact, grow, be utilized, and so on. These intersections informed a final series of reflections about what craft can do.
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